Building on the previous contour drawing exercise, this one brings things all together nicely by getting you to draw your hand as you see it.
Betty has a setup where you actually place your hand behind a clear background and then draw the hand as you see it, on the 2D plane.
The magic here is it forces you to focus on what you see, instead of drawing what you know.
I didn’t have a clear plane to draw through, so I scrunched my hand and draw what saw in front of me. The results were impressive.
The is perhaps the best real life drawing of anything I have ever done (a testament to Betty’s book and technique). One tip: close one eye when doing this exercise. It helps make your hand be viewed as a plane (not 3D) and easier to draw.
What’s fascinating about this exercise is as you are drawing your hand, you can literal feel the tug of war between the two sides of your brain.
When you see something you know (like a finger or a ring) your L-Mode brain (left) kicks in and instantly wants you to draw a finger or a ring like it knows how (a simple circle). But the right (or what we are trying to engage) fights this be instead saying
Don’t draw a finger. Focus instead on the lines you see (and the finger will emerge).
This to me is the secret of drawing.
Drawing what you see, instead of of what you know.
Easier said than done! But Betty’s book and my attempts at these exercises prove anyone can do it. So can you.
More drawing posts:
Betty’s excellent book Drawing on the Right Side of the Brain.
Art History – Why the picture plan method works for realistic drawings
Realistic drawing is producing a 3D image on a 2D surface. Prehistoric cave artists drew 2D images on walls of caves, but it wasn’t until Greeks and Romans worked out ways of drawing 3D forms that realistic art revived.
The skill was lost again during the dark ages and it wasn’t until the early 15th century Renaissance in Italy, that artists like Filippo Brunelleshi worked out a way to portray linear perspective, and Leon Batista Alberti discovered that he could draw in perspective the cityscape beyond his window by drawing directly on a glass plane.
Van Gogh used this technique in the 19th century to construct his own “perspective device” as he called it, when he was laboriously teaching himself how to draw. Eventually, after much practice, he could draw using an imaginary plane and was able to discard the 30 lb wood and iron one he carried around.